MIGUEL CARBAJAL
When thinking is no longer enough

For centuries,
Western thought has taught us
to trust one thing above all else:
REASON
“I think, therefore I am”
did not only define a philosophy,
it shaped how we learned to inhabit ourselves.
Yet today,
in the face of global,
existential and deeply personal crises,
something uncomfortable
becomes impossible to ignore:
Not all problems can be resolved
from the same place
in which we learned to control them.
Perhaps the answers we are seeking
do not lie in more data,
more growth,
or more control,
but in something
we have forgotten how to access.
We may be entering a phase
in which thinking no longer comes first,
but grows out of presence,
out of being here,
before understanding.
Art,
when it no longer tries to explain,
can restore a different quality of presence.
Not as an answer to be understood,
but as a direct experience,
one that can be lived,
not solved.

You may have built a life that works.
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You think clearly.
You decide rationally.
You understand how things function.
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And yet,
there are moments,
often quiet ones,
where something
feels slightly distant.
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Not broken.
Not dramatic.
Just… muted.
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As if life were being managed well,
but not fully inhabited.
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You may sense it in the body
before you can name it:
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a subtle tension,
a constant readiness,
a need to stay in control
even when nothing is wrong.
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It’s not that thinking has failed you.
It has brought you far.
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But perhaps
it can no longer take you
where you feel drawn next.

There is a moment,
often unnoticed,
when holding on
begins to feel heavier
than letting go.
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Not because something collapses.
Not because life demands it.
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But because the effort
to remain in control
quietly outweighs its protection.
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In that moment,
nothing dramatic happens.
No decision is announced.
No certainty appears.
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There is only a subtle shift:
a breath that deepens,
a body that softens,
a pause
where something else
becomes possible.
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It is not an act of courage.
It is an act of trust.
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And trust,
for a brief instant,
does not feel like falling,
but like being carried.

These works are not meant to explain that moment.
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They do not point toward conclusions
or offer interpretations to hold on to.
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They remain.
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Quietly present,
like something
that does not demand attention,
yet subtly alters
the atmosphere of a room.
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Not as decoration.
Not as a statement.
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But as a form of presence
that mirrors your own.
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A place where thinking can rest,
and perception can open again.
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Lived with over time,
the work does not reveal more meaning,
it creates more space.

What remains is not an answer,
but a different quality of presence.
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A quieter clarity.
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A sense of being here,
without needing to define it.
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Not a solution to carry forward,
but a space you can return to.
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If this resonates,
you are invited to remain with the work.
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To encounter it slowly.
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To let it unfold in your own time.